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Actress Sanaa Lathan talks to SoulCulture.TV about her family’s history in entertainment, being very critical of her own work and distinguishing between herself and the characters she plays.

“I am my instrument, you can’t just leave yourself behind. There’s a little of me in every character…. and yet… well-written characters have their own spirit about them.”

SoulCulture also discuss her fun, cartoon role in “The Cleveland Show” – and the issue of under-representation of black culture, as well as being typecast for specifically “black” roles.

“The truth is… I just want more opportunity. You don’t want the role that’s always written for a black woman because it just limits your choices; and that’s just the world that we live in today. I think it’s slowly changing…”

She names her recent theatre stretch in London’s West End – playing Maggie The Cat in a “historic” all-black casting of Tennessee Williams‘ classic Cat On A Hot Tin Roof – as some of her proudest work to date, enjoying the in-the-moment immediate audience response of theatre compared to the detachment of film work.

“I just wanna keep on being challenged… be scared a little, push myself out of my comfort zone; I think that’s how you grow… It’s not always the most comfortable thing to do, but that’s always been my philosophy.”

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For 2024’s iteration of MadameNoire and HelloBeautiful’s annual series Women to Know, we knew we wanted to celebrate the people who help make the joys of film and television possible. To create art is to create magic. This year, we spotlight Hollywood Executive’s changing the face of cinema.